OK, so this isn't exactly lawyers, guns, and money; but I'll take what I can get.
Let's start with 300, which is an extremely good movie. Here's Lemming's review. I don't think I liked it quite as much as he did, but I enjoyed it quite a bit and recommend it wholeheartedly. Lemming's review sums things up nicely, but let me add explicitly that the line "I don't see why we can't be civil about this." is (1) the best line in the film and (2) much better than the second best line. The delivery on that line was fantastic and both Lemming and I laughed hysterically when it was uttered. The rest of the dialog was hit-or-miss, but the storytelling and ambiance were the highlights here.
The other movie I saw recently in the theatre was Ghost Rider, which was exactly what was advertised. The movie was both good and fun (though I suspect others might call it "fun" but perhaps not good) but not excellent. The whole thing about pointing at someone and going "You -- guilty!" or "You -- innocent!" reminded me of recent discussions with colleagues about interviewing students and seeing clearly who was a scientist at heart and who was an engineer (despite the fact that --for the most part -- the students in question didn't really know). For what it's worth, "engineer" = "guilty" in terms of my recruitment of SURF students. (Note that an engineering major can be a scientist. I'm referring to the research mentality of the student.) Also, I was looking through some pictures recently and I found a really cool one from DragonCon that shows someone dressed up as Ghost Rider next to someone else dressed up as Beaker. Awesome!
There was also a recent string of movies that we saw on DVD. Crank got the wtf award. Who needs a plot when you can just have fun? (The movie was fun to watch but it wasn't exactly deep stuff.) Idiocracy was decent but not great. Watching it, however, did remind me that a pimp always goes after his hos. No exceptions. The Departed was awesome and Mark Wahlberg played a badass, which is probably the biggest compliment that one guy can give to another. (Technically, saying that someone is a badass is said biggest compliment.)
The play I saw recently was David Mamet's Oleanna. (There's a film version with William H. Macy that I have never seen.) I have enjoyed some of David Mamet's other work immensely (especially the film State and Main) and this one was decent, but it wasn't great. This one was basically pure drama; none of Mamet's hallmark witty dialog was present. While there was good stuff, the ending was extremely abrupt, and I left feeling that the play ended before the action did. By the way, I saw this play at the Hollywood Fight Club, whose stage has occasionally been graced by the wondrous presence of one Joshua Hime.
The musical I recently saw was My Fair Lady. I read Pygmalian in 10th grade but had never actually seen My Fair Lady before. A couple of the songs were familiar, and naturally I had seen a version of the story before. One of the CPA people with whom I went is from Great Britain and she claimed the accents were done well, so that's a good sign. And cockney is just fucking awesome as a general principle!
That's about it for recent media (aside from video games). I'm seeing another play on Friday and I'm playing lots of Zelda.
4 days ago
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